Several friends posted a video of me jamming with some street musicians before the March for Life. It was an uplifting experience, one of many that day, and I'm not surprised this little video has made the rounds.
As someone known for being conservative on percussion in worship ("The song of the Church is Word-driven, not beat-driven!"), who disapproves of applause during the Divine Service, and who strongly prefers the chorales over "happy-clappy" music, one may fairly ask, "Magness, why do you groove on this?"
The answer is not so simple as saying, "Well, this wasn't in the Divine Service," even though that is an important point. Because I'm actually OK with some hand-clapping and even some dancing during worship--when it is real. And by "real" I don't mean whether people are "feeling it" or not, because any half-decent musician can whip up emotions and get the poorly catechized to think they are "in the Spirit." I'm talking about the reality of manifesting the faith God gives to us as brothers and sisters in Christ. That's something we can judge objectively.
When it is real, when it is faithful, it is reverent and authentic. It is reverent in that it honors God, acknowledges God, and is focused on God. This is much more easily done in cultures with histories of rhythmic music and ceremonial dance. Which leads to the second point of authenticity. If I am in a community which sings jubilantly with percussion instruments to organically proclaim the steadfast love of the Lord, then there is no distraction or manipulation. But where such music is not part of the culture, it is at best merely entertainment, often distracts from the Gospel, and manipulates emotions rather than giving voice to our shared experience of the faith.
How can one tell the difference? It's pretty easy. By dropping out. If the community owns the song, the musician who summoned the song can step away and it will go on. There are cultures where this readily happens. Typical North American parishes, outside certain minority communities, are not among them when it comes to the music promulgated in the name of entertainment evangelism. Many, however, in their zeal to either be attractive or to generate excitement among the membership, try to make this happen artificially by having a band play jubilant "praise music" in the assembly's stead--cranking up the volume so that the impression of great worship is created. But if the assembly cannot sustain such energy unplugged, it is actually the opposite of authentic. By contrast, the sound of a Lutheran assembly chanting the Lord's Prayer or singing the Te Deum a cappella with conviction in four-part harmony is actually truly authentic. And it is just as energetic and powerful as any other culture's music, with or without percussion or an "upbeat" tempo.
That said, I certainly do see a role of musical testimony which edifies a congregation and broadens their repertoire. Some will inevitably be entertained by that--whether one powerfully presents a Renaissance motet or an African hymn. But that is a matter of catechesis. Once a congregation gets used to higher quality music, they'll clap no more for the music than they do for the sermon--or for receiving the Sacrament. (Seriously, if applause is really directed to God, why don't people clap after receiving the Lord's Supper?)
So, whatever you are singing, make sure you are singing the folk music of your people. Keep it real. Don't substitute someone else's joy for your own. There's no reason for it. Even if you think you are doing it "for the young," or "for the seekers." Because, truth is, you'll never be as convincing singing someone else's song as you will your own.
"He put a new song in my mouth, a song of praise to our God.
Many will see and fear and put their trust in the Lord." (Ps. 40:3)
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