Different parishes at different times need different "solutions" to the musical challenges and opportunities provided by the liturgy. We try to offer a wide variety of options on the site, knowing that there is no one-size-fits-all "solution" for any given text. That said, even a parish with a high level of artistic activity needs easy options. And so we do try to lean more toward providing "music for common use" rather than "high art" on the site.
One of the things that we are doing more often is simply putting up something that works well with the hymnal accompaniment. The handbell accompaniments for DS III we put up last year are an example of that, as are the brass parts for the DS IV Gloria I put up recently. Sometimes we aren't looking for a concertato setting of a hymn, or some new text-painting harmonization. With one rehearsal and many irons in the fire, it is often helpful just to have a trumpet part that "goes with the book".
The latest of such offerings went up today: a simple descant for LSB #819, "Sing Praise to God the Highest Good". A very parish-friendly descant, it only goes to a high F. And yet it still cuts through thanks to the tessatura of the melody. Most importantly, the organist can "play from the book", making this an easy adornment to add to the service. Similarly, we'll be putting up several instrumental descants & countermelodies by Terry Herald this spring that also "work with the book".
We're putting these things up because they work for us. We hope they work for you!
FINE TUNING
Saturday, February 19, 2011
Monday, February 7, 2011
Solutions In Your Hymnal
Today we offer a guest column, which readers of Rev. Larry Peters' excellent blog, Pastoral Meanderings, have already seen. Larry has given his permission to run his article here, which we are glad to do because it so well supports one of the chief aims of this blog: to help musicians and pastors discover and explore the treasury of resources available to us for preparing authentic Lutheran worship. Almost all of the music published on our website is written to support the use of hymns & lectionaries of the Lutheran Service Book. (Which therefore means the music works well with other Lutheran hymnals, as our many WELS friends have discvoered.) Pastor Peters here offers an excellent outline of how to make the best use of this book. Whatever hymnal you use, this article will renew your appreciation for your hymnal, and help you explain its purpose and benefits to others.
THE FULLEST USE OF OUR RESOURCES
Rev. Larry Peters
Often the problem with "traditional" worship is not that what is done is bad but that it fails to exploit the full measure of the resources provided by the hymnary, lectionary, and liturgy of the Church. Those who yearn for creativity are, in some respects, right in their condemnation of of "traditional" worship as being boring or routine. But the fault lies not with the hymnal or liturgy. The fault usually lies with the people planning and conducting the Divine Service. In our busy lives it is easy to fall back upon the book and use it because it is there. In this respect many congregations using the hymnal are not technically "liturgical." I write this not to condemn but to encourage a more full use of the inherent resources of the hymnal, liturgy, and pericopes.
I forget where I read it that if you are using these resources fully, only something between 12-15% of the time on Sunday morning carries over from week to week. Block out the sermon, the readings, the collect, the hymns, and the liturgical options within the Divine Service and you see how the figure is achieved. When we use all of these resources to their fullest measure, then it is true. When we fail to use these resources fully, this figure may still be true but you would hardly recognize it while sitting in the pew.
Lets begin with the lectionary. Lutheran Service Builder allows you to print out all the pericopes on one sheet (Introit, Collect, Psalm, Lessons, Gradual, Verse). It is great to have these texts together and to spend time looking at them more fully before sermon and liturgical choices are made. You can do the same thing without Lutheran Service Builder but it takes just a bit more work. The point is that by immersing yourself in these texts you are better equipped not only to preach them but to use them in the Divine Service.
From the lectionary I always go to the hymnal. LSB has a marvelous hymn selection guide and you can use Lutheran Service Builder to locate hymns through its digital concordance to the hymnal but nothing replaces you own familiarity with the texts. I believe that praying the texts of hymns is important devotionally for you and is the greatest tool and gift when planning for the Divine Service. If you know the pericopes and you know where your sermon is going, then the next step for connecting the dots is to know the hymnal well enough that hymn choices are already flowing through your mind as you make it through the pericopes and sermon preparation.
I might say something here about tracking your use of hymns. It is easy for the congregation to be reduced to using only 25% of the hymns in the book. You want to use a combination of many familiar with one or maybe two new or less familiar tunes. Given the desire to satisfy people and working within the limitations, it is not uncommon for parishes to know only a small percentage of the hymns in the book -- I knew one parish where only about 12 tunes from LW were used! This is a problem that needs to be addressed. If you do not know these tunes, set up a plan and program to learn them -- week by week. Use soloists to sing them as preservice music, as the offering is gathered, or during the distribution. The choir can do the same thing. Warm up the folks before the liturgy begins and use these less familiar hymns to stretch their voices. The only way a new hymn becomes a favorite is through frequent use. Once you introduce a new hymn, use it again through the coming month so that its text and tune are embedded into the memory of the people.
Finally, the liturgy is addressed. What season are we in? What options are inherent to the season (omission of the Gloria in Excelsis and Alleluia during Lent, for example)? What additional choices are there to be made (offertory, how to use the Psalmody, post-communion canticle, etc.)? As you flesh out the choices for the Divine Service you also begin to see how the hymn possibilities may fit (entrance hymn, hymn of the day, distribution hymn, sending hymn, etc.).
The goal is to have it all fit together as a seamless garment in which nothing seems out of place or out of character. In this way the fullest resources of the hymnal, lectionary, and church year flow together toward a common goal and purpose in the Divine Service. I do this several times a year for 1/3-1/2 of the Sundays of the year so that I am always ahead. It works for me. Saturday night is the one thing that hardly ever works. If you cannot plan months in advance (for the sake of your parish musician), at least plan one month ahead.
The hymnal is a tool. If it is unfamiliar to you as the Pastor or parish musician, it will most certainly be unfamiliar to your people and an uncomfortable resource. If you know it and use it as one who knows it inside and out, then it will encourage the people in the pew to use the full resources of the book in their family and individual devotional lives as well as Sunday morning. Just do it...
THE FULLEST USE OF OUR RESOURCES
Rev. Larry Peters
Often the problem with "traditional" worship is not that what is done is bad but that it fails to exploit the full measure of the resources provided by the hymnary, lectionary, and liturgy of the Church. Those who yearn for creativity are, in some respects, right in their condemnation of of "traditional" worship as being boring or routine. But the fault lies not with the hymnal or liturgy. The fault usually lies with the people planning and conducting the Divine Service. In our busy lives it is easy to fall back upon the book and use it because it is there. In this respect many congregations using the hymnal are not technically "liturgical." I write this not to condemn but to encourage a more full use of the inherent resources of the hymnal, liturgy, and pericopes.
I forget where I read it that if you are using these resources fully, only something between 12-15% of the time on Sunday morning carries over from week to week. Block out the sermon, the readings, the collect, the hymns, and the liturgical options within the Divine Service and you see how the figure is achieved. When we use all of these resources to their fullest measure, then it is true. When we fail to use these resources fully, this figure may still be true but you would hardly recognize it while sitting in the pew.
Lets begin with the lectionary. Lutheran Service Builder allows you to print out all the pericopes on one sheet (Introit, Collect, Psalm, Lessons, Gradual, Verse). It is great to have these texts together and to spend time looking at them more fully before sermon and liturgical choices are made. You can do the same thing without Lutheran Service Builder but it takes just a bit more work. The point is that by immersing yourself in these texts you are better equipped not only to preach them but to use them in the Divine Service.
From the lectionary I always go to the hymnal. LSB has a marvelous hymn selection guide and you can use Lutheran Service Builder to locate hymns through its digital concordance to the hymnal but nothing replaces you own familiarity with the texts. I believe that praying the texts of hymns is important devotionally for you and is the greatest tool and gift when planning for the Divine Service. If you know the pericopes and you know where your sermon is going, then the next step for connecting the dots is to know the hymnal well enough that hymn choices are already flowing through your mind as you make it through the pericopes and sermon preparation.
I might say something here about tracking your use of hymns. It is easy for the congregation to be reduced to using only 25% of the hymns in the book. You want to use a combination of many familiar with one or maybe two new or less familiar tunes. Given the desire to satisfy people and working within the limitations, it is not uncommon for parishes to know only a small percentage of the hymns in the book -- I knew one parish where only about 12 tunes from LW were used! This is a problem that needs to be addressed. If you do not know these tunes, set up a plan and program to learn them -- week by week. Use soloists to sing them as preservice music, as the offering is gathered, or during the distribution. The choir can do the same thing. Warm up the folks before the liturgy begins and use these less familiar hymns to stretch their voices. The only way a new hymn becomes a favorite is through frequent use. Once you introduce a new hymn, use it again through the coming month so that its text and tune are embedded into the memory of the people.
Finally, the liturgy is addressed. What season are we in? What options are inherent to the season (omission of the Gloria in Excelsis and Alleluia during Lent, for example)? What additional choices are there to be made (offertory, how to use the Psalmody, post-communion canticle, etc.)? As you flesh out the choices for the Divine Service you also begin to see how the hymn possibilities may fit (entrance hymn, hymn of the day, distribution hymn, sending hymn, etc.).
The goal is to have it all fit together as a seamless garment in which nothing seems out of place or out of character. In this way the fullest resources of the hymnal, lectionary, and church year flow together toward a common goal and purpose in the Divine Service. I do this several times a year for 1/3-1/2 of the Sundays of the year so that I am always ahead. It works for me. Saturday night is the one thing that hardly ever works. If you cannot plan months in advance (for the sake of your parish musician), at least plan one month ahead.
The hymnal is a tool. If it is unfamiliar to you as the Pastor or parish musician, it will most certainly be unfamiliar to your people and an uncomfortable resource. If you know it and use it as one who knows it inside and out, then it will encourage the people in the pew to use the full resources of the book in their family and individual devotional lives as well as Sunday morning. Just do it...
Monday, January 10, 2011
A COUPLE OF AUDIO SAMPLES
Many often ask about hearing audio samples of Liturgy Solutions' music. We'd like to provide more than computer-generated files, but just don't have the overhead to generate studio recordings of house choirs like the print publishing houses are able to do. So I'm going to try to highlight some services that include some pieces in the catalog. This past week saw two such occasions at Bethany. So, if you are interested in what some of our work sounds like in an actual service, a Gradual by Stephen R. Johnson for the Epiphany of Our Lord starts at 7:40 into this clip. This past Sunday, for the Baptism of Our Lord, we sang a psalm-anthem by Jonathan Kohrs. Pastor liked it so much he referenced it in his sermon! It starts 15:15 into this podcast.
These recordings are a little less polished than my choir normally sounds - but we had a one-hour rehearsal to prepare five pieces to cover these two feasts! Still, they did well - but if you want to hear them in their full glory, check out our Bach Cantata Vespers this past Advent, or our Christmas Eve Divine Service.
You can also hear several stanzas of hymns in our Liturgy Solutions catalog sung by the quartet at our Lessons & Carols service Chrsitmas Eve.
Got any audio clips of LS music? I'd love to hear them!
These recordings are a little less polished than my choir normally sounds - but we had a one-hour rehearsal to prepare five pieces to cover these two feasts! Still, they did well - but if you want to hear them in their full glory, check out our Bach Cantata Vespers this past Advent, or our Christmas Eve Divine Service.
You can also hear several stanzas of hymns in our Liturgy Solutions catalog sung by the quartet at our Lessons & Carols service Chrsitmas Eve.
Got any audio clips of LS music? I'd love to hear them!
Thursday, January 6, 2011
He Was Singing Again!
For years I've noticed a young man in our parish attend worship with his mom. Ten years ago, I noticed how joyfully he would sing the hymns along with his mom. Then, as he approached his junior/senior year, he started mumbling. In college, he stopped singing altogether. It was heartbreaking.
This New Year's Eve he was back. Singing. Joyfully. I can only imagine the reasons but I suspect it had to do with the attractive young lady he brought to church with him that evening.
Perhaps he just trying to make a good impression, but people don't sing like that unless they are happy - or professionals (which he is not). I know one skates on thin ice when one tries to read motivations into behaviors, so I won't try to diagnose his heart, but let's just say that it is an example of rejoicing.
I hope that in the future this young man will rejoice not only for the First Article gift of a companion who may be a potential wife, but give thanks and sing for the Gospel.
Whatever his motivation was, I'm glad he found his voice and joined in the Lord's song again. I know the Word dwelled in him richly as he did so. May that song stay in his heart and on his voice all the days of his life.
This New Year's Eve he was back. Singing. Joyfully. I can only imagine the reasons but I suspect it had to do with the attractive young lady he brought to church with him that evening.
Perhaps he just trying to make a good impression, but people don't sing like that unless they are happy - or professionals (which he is not). I know one skates on thin ice when one tries to read motivations into behaviors, so I won't try to diagnose his heart, but let's just say that it is an example of rejoicing.
I hope that in the future this young man will rejoice not only for the First Article gift of a companion who may be a potential wife, but give thanks and sing for the Gospel.
Whatever his motivation was, I'm glad he found his voice and joined in the Lord's song again. I know the Word dwelled in him richly as he did so. May that song stay in his heart and on his voice all the days of his life.
Thursday, December 23, 2010
Who Has Been Good to You?!
We recently attended a concert of a local children's choir, Anima, formerly known as the Glen Ellyn Children's Chorus. It is one of the more famous of such groups around the country, making its mark during its glory years under the directorship of Dr. Doreen Rao. Some of you may have run across music from Dr. Rao's choral series, much of which is quite good. The group continues now under the leadership of Emily Ellsworth.
This may seem off-topic for this blog, but one of the things we share in common is a love for our heritage and a desire to preserve our culture and teach children well. This is primarily, of course, about the heritage we receive as Christians, and so I don't want to confuse the Two Kingdoms here. But as we are "in the world" even as we are not "of it", I think most of you also seek to be preservers of what is good in our national culture as well. Especially where it intersects with our church culture.
One of those selections is the "Johnny Appleseed Grace". I learned it at Camp Lone Star when I was in 8th grade, when I first started going to church. Lutherans love to sing it. We have slightly different versions of the tune in different parts of the country! Most of us refer to it by it's first line, as if it is a hymn: "Oh, the Lord's been good to me." It is one of my younger son's favorite mealtime graces.
Guess what? The Anima chorus sang an arrangement of this Americana standard as their closing number. But they changed the words to "The earth's been good to me." And made the audience sing that line every time. I guess such was to be expected from a group whose 'holiday concert' was themed "Voices from the Earth". Still, if you feel you have to sing something to appease the pagan kids' parents because the choir sang a couple of Christmas carols, why don't you write your own words instead of torquing with someone else's?
This is more than just abusing the lyrics. (What's next: a Gaia version of "Silent Night"?!) It is also about a community arts organization that is supposed to be nurturing cultural literacy - the reason public school allow Chrsitian choral repertoire in the curriculum - changing the core meaning of Johnny Appleseed's famous ode promotes cultural IL-literacy. It reminds me of the politically correct re-imagining of history.
Christians today are like frogs in a big kettle. Every day the world around us becomes more evil. Perversion 'mainstreamed' into our military. "Faith-based" advertisements banned from the Ft. Worth transit system. Shiny new abortuaries built 'proudly' in the middle of our communities.
This Christmas, I long even more for our Lord's return. Yea, I will merrily sing and play as we celeberate the birth of our King, and rejoice in the salvation He came to bring. But we live in a night that is getting deeper and darker every year. "E'en so, Lord Jesus, quickly come."
This may seem off-topic for this blog, but one of the things we share in common is a love for our heritage and a desire to preserve our culture and teach children well. This is primarily, of course, about the heritage we receive as Christians, and so I don't want to confuse the Two Kingdoms here. But as we are "in the world" even as we are not "of it", I think most of you also seek to be preservers of what is good in our national culture as well. Especially where it intersects with our church culture.
One of those selections is the "Johnny Appleseed Grace". I learned it at Camp Lone Star when I was in 8th grade, when I first started going to church. Lutherans love to sing it. We have slightly different versions of the tune in different parts of the country! Most of us refer to it by it's first line, as if it is a hymn: "Oh, the Lord's been good to me." It is one of my younger son's favorite mealtime graces.
Guess what? The Anima chorus sang an arrangement of this Americana standard as their closing number. But they changed the words to "The earth's been good to me." And made the audience sing that line every time. I guess such was to be expected from a group whose 'holiday concert' was themed "Voices from the Earth". Still, if you feel you have to sing something to appease the pagan kids' parents because the choir sang a couple of Christmas carols, why don't you write your own words instead of torquing with someone else's?
This is more than just abusing the lyrics. (What's next: a Gaia version of "Silent Night"?!) It is also about a community arts organization that is supposed to be nurturing cultural literacy - the reason public school allow Chrsitian choral repertoire in the curriculum - changing the core meaning of Johnny Appleseed's famous ode promotes cultural IL-literacy. It reminds me of the politically correct re-imagining of history.
Christians today are like frogs in a big kettle. Every day the world around us becomes more evil. Perversion 'mainstreamed' into our military. "Faith-based" advertisements banned from the Ft. Worth transit system. Shiny new abortuaries built 'proudly' in the middle of our communities.
This Christmas, I long even more for our Lord's return. Yea, I will merrily sing and play as we celeberate the birth of our King, and rejoice in the salvation He came to bring. But we live in a night that is getting deeper and darker every year. "E'en so, Lord Jesus, quickly come."
Tuesday, December 14, 2010
SO WHAT'S WORKING FOR YOU?
Ah, Advent. Prepare, prepare! The busiest weeks for most of us are actually done now. I always get a chuckle when people come up to me the week before Christmas and say "you must really be busy right now!" I enjoy telling them that the first two weeks of Advent are much more hectic for me than the last two. Even with all my summer worship planning, the need to finalize arrangements, book practices, and get music to musicians at the same time Advent services and the school Christmas program are added to my plate puts me in overdrive.
But Advent is a wonderful season - definitely worth talking about. And yet it is so short while we are so busy that we church musicians and pastors don't talk about it as much as we should. So what's working for you?
Here's a few things that have been Advent blessings at Bethany so far this year:
*A Bach Cantata (#140, Wachet Auf) for our first Advent Vespers.
*The return of Schalk/Vajda's "Light the Candle", which we sing for the lighting of the Advent wreath.
*The wide amount of variety available at Liturgy Solutions for this time of year. It really is amazing how much Advent music we've got up on the site. Drawing from the catalog, I've used settings by Hildebrand, Blersch, Johnson, and Sonntag so far this year.
*Our Schola Cantorum kids kicking off our second Advent Vespers with Allan Mahnke's "Fling Wide the Gates". (Yes, we sing lots of things around here that aren't LS - chuckle)
*Our sermon series: "Christmas with Isaiah", which runs from the beginning of Advent through Epiphanytide, using the appointed Old Testament lessons from the Three-Year Lectionary.
*Singing "Prepare the Royal Highway" with the 'old' setting from LW. (Still using the LSB text). The people really love this hymn, and we've tried it with the LSB/LBW rhythm, but folks prefer it in 4/4. Here's a video using my arrangement from "Hymns for the Contemporary Ensemble", published by CPH. That series has been discontinued, but I'm thinking about starting that project up again at LS.
Speaking of LS projects, look for several new instrumental arrangements for congregational accompaniment to be uploaded by New Year's. These are for woodwinds & keyboard and are by professional composer/arranger Terry Herald, whom we are proud to introduce as the newest composer in our 'stable'. Welcome aboard, Terry!
So, that's a taste of what's working for me right now. What's working for you?
But Advent is a wonderful season - definitely worth talking about. And yet it is so short while we are so busy that we church musicians and pastors don't talk about it as much as we should. So what's working for you?
Here's a few things that have been Advent blessings at Bethany so far this year:
*A Bach Cantata (#140, Wachet Auf) for our first Advent Vespers.
*The return of Schalk/Vajda's "Light the Candle", which we sing for the lighting of the Advent wreath.
*The wide amount of variety available at Liturgy Solutions for this time of year. It really is amazing how much Advent music we've got up on the site. Drawing from the catalog, I've used settings by Hildebrand, Blersch, Johnson, and Sonntag so far this year.
*Our Schola Cantorum kids kicking off our second Advent Vespers with Allan Mahnke's "Fling Wide the Gates". (Yes, we sing lots of things around here that aren't LS - chuckle)
*Our sermon series: "Christmas with Isaiah", which runs from the beginning of Advent through Epiphanytide, using the appointed Old Testament lessons from the Three-Year Lectionary.
*Singing "Prepare the Royal Highway" with the 'old' setting from LW. (Still using the LSB text). The people really love this hymn, and we've tried it with the LSB/LBW rhythm, but folks prefer it in 4/4. Here's a video using my arrangement from "Hymns for the Contemporary Ensemble", published by CPH. That series has been discontinued, but I'm thinking about starting that project up again at LS.
Speaking of LS projects, look for several new instrumental arrangements for congregational accompaniment to be uploaded by New Year's. These are for woodwinds & keyboard and are by professional composer/arranger Terry Herald, whom we are proud to introduce as the newest composer in our 'stable'. Welcome aboard, Terry!
So, that's a taste of what's working for me right now. What's working for you?
Wednesday, November 24, 2010
I LOVE THANKSGIVING
Of all the secular "holidays", Thanksgiving is my favorite. There are just so many wonderful Thanksgiving hymns! (And, besides, I'm a foodie. No wonder I love the French!)
Anyway, I'm just wondering what y'all are cookin' for tonight & tomorrow. Here's what's on the menu at Bethany:
OPENING HYMN - "Come Ye Thankful People Come" LSB #892 concertato for organ, piano, choir, congregation.
CALL TO WORSHIP - Abraham Lincoln's 1863 Proclamation
PRELUDE - "We Gather Together" Handbell arrangement by Frances Callahan.
ENTRANCE HYMN - "We Praise You, O God" LSB #785
LITURGY - A Liturgy of Sevenfold Thanks (basically a Thanksgiving Lessons & Songs format)
I. Thanksgiving For the Gospel (Luke 7:36-50) "Give Thanks" LSB #806
II. For the Company of Saints (Rev. 7:13-17) "Oh, How Blest Are They" LSB #679
III. For Children and Families (Mark 10:13-16) "Let Children Hear the Mighty Deeds" LSB #867
IV. For the Friendship of Believers (Eph. 4:1-6) "Gracious God, You Send Great Blessings" LSB #782
V. For the Harvest (Eccl. 2:24-26; 3:9-13) Quartet: "The Eyes of All" setting by Michael Larkin
VI. For the Earth (Psalm 8) Choir Anthem: "For the Beauty of the Earth" setting by John Rutter.
VII. For the United States of America (1 Peter 2:13-17) "My Country 'Tis of Thee" (original words)
SERMONETTE
VOLUNTARY "Songs of Thanksgiving" piano/organ duet arr. by Stephen Nielsen & Ovid Young
OFFERTORY HYMN "For the Fruits of His Creation" LSB #894
THE PRAYERS
BENEDICTION "The Lord Bless You and Keep You" (choir; setting by Peter Lutkin)
CLOSING HYMN "Now Thank We All Our God" LSB #895
POSTLUDE "Now Thank We All Our God" handbell choir playing transcription of the Paul Manz organ prelude by Martha Lynn Thompson
In the AM we'll have Matins. Psalm 65 setting by Barbara Semen and Gradual by Carl Schalk (Psalm 104:24, 27-28,33; "I Will Sing to the Lord as Long as I Live"). Hymn of the Day will be "Sing to the Lord of Harvest" (#893). "Come, You Thankful People, Come", "We Gather Together", "Give Thanks", and "Now Thank We All Our God" will be reprised. Liturgical variation will be use of a Kyrie by my Comprehensive Music professor at the University of North Texas, the sainted Avon Gillespe. Years after his death I found that he had written a setting of the mass for the Roman Catholic church, the Kyrie from which I have taught our congregation.
I'll give thanks for the many teachers who cultivated the art of music in me as we sing and pray the Lord's mercy upon us all.
Happy Thanksgiving, Everyone! Share the joy! :)
Anyway, I'm just wondering what y'all are cookin' for tonight & tomorrow. Here's what's on the menu at Bethany:
OPENING HYMN - "Come Ye Thankful People Come" LSB #892 concertato for organ, piano, choir, congregation.
CALL TO WORSHIP - Abraham Lincoln's 1863 Proclamation
PRELUDE - "We Gather Together" Handbell arrangement by Frances Callahan.
ENTRANCE HYMN - "We Praise You, O God" LSB #785
LITURGY - A Liturgy of Sevenfold Thanks (basically a Thanksgiving Lessons & Songs format)
I. Thanksgiving For the Gospel (Luke 7:36-50) "Give Thanks" LSB #806
II. For the Company of Saints (Rev. 7:13-17) "Oh, How Blest Are They" LSB #679
III. For Children and Families (Mark 10:13-16) "Let Children Hear the Mighty Deeds" LSB #867
IV. For the Friendship of Believers (Eph. 4:1-6) "Gracious God, You Send Great Blessings" LSB #782
V. For the Harvest (Eccl. 2:24-26; 3:9-13) Quartet: "The Eyes of All" setting by Michael Larkin
VI. For the Earth (Psalm 8) Choir Anthem: "For the Beauty of the Earth" setting by John Rutter.
VII. For the United States of America (1 Peter 2:13-17) "My Country 'Tis of Thee" (original words)
SERMONETTE
VOLUNTARY "Songs of Thanksgiving" piano/organ duet arr. by Stephen Nielsen & Ovid Young
OFFERTORY HYMN "For the Fruits of His Creation" LSB #894
THE PRAYERS
BENEDICTION "The Lord Bless You and Keep You" (choir; setting by Peter Lutkin)
CLOSING HYMN "Now Thank We All Our God" LSB #895
POSTLUDE "Now Thank We All Our God" handbell choir playing transcription of the Paul Manz organ prelude by Martha Lynn Thompson
In the AM we'll have Matins. Psalm 65 setting by Barbara Semen and Gradual by Carl Schalk (Psalm 104:24, 27-28,33; "I Will Sing to the Lord as Long as I Live"). Hymn of the Day will be "Sing to the Lord of Harvest" (#893). "Come, You Thankful People, Come", "We Gather Together", "Give Thanks", and "Now Thank We All Our God" will be reprised. Liturgical variation will be use of a Kyrie by my Comprehensive Music professor at the University of North Texas, the sainted Avon Gillespe. Years after his death I found that he had written a setting of the mass for the Roman Catholic church, the Kyrie from which I have taught our congregation.
I'll give thanks for the many teachers who cultivated the art of music in me as we sing and pray the Lord's mercy upon us all.
Happy Thanksgiving, Everyone! Share the joy! :)
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